Oscar Wilde’s Salome is a kind of archetype for the explorations I am making. I have decided to look at this short play in some detail, while relating it to the theme of boysocks318! I hope you can enjoy some observations, where I have taken quotes from the Project Gutenberg version of Salome
The beginning of the play starts with a conversation between a Young Syrian and a Page of Herodias, both observing the princess Salome from a far. She appears to be quite strange on an evening like this. Remarks the page of Herodias:
Look at the moon! How strange the moon seems! She is like a woman rising from a tomb. She is like a dead woman. You would fancy she was looking for dead things.
Why would Salome be interested in dead things? This is a question that foreshadows the main action of the play, which culminates in the climax of Salome dancing with the head of Jokannan. But the moon symbolism also suggests that Salome represents a dark, unseen or forbidden kind of eroticism which never sees the light of day. It’s certainly not the subject of romantic comedies, because it is considered unconducive to the perpetuation of human beings, even a bit perverse. Do all “perversions” relate to the inanimate? I leave this question for you to explore on your own.
I am most intrigued by the subsequent line. spoken by the Young Syrian:
She has a strange look. She is like a little princess who wears a yellow veil, and whose feet are of silver. She is like a princess who has little white doves for feet. You would fancy she was dancing.
Small, white feet symbolize a strange gracefulness, almost angelic. Does this remind me of the feeling I get when I wear white socks, I wonder? I certainly feel that way when I am wearing them. It is as though my feet were clad in a soft angelic cloud which takes me above the ground and allows me to float upwards in the air: a kind of angel with doves for feet. How embarrassing I feel, however, to tiptoe in my white socks, for fear that I am appropriating angelic qualities that don’t belong to me. It doesn’t suit my personality, or my identity as a human who struggles to be a person in this world. And boys “don’t do that”; they need to be tough.
Notice how the males in this play are simply onlookers, marveling at the strangeness and mystery of Salome, who is so far away. It reminds me that when we elevate a being to the status of an angel, we are really pushing away some part of us that we appreciate, yet must reject at the same time. Boys (males in general) are somehow not allowed to own these angelic, satin qualities, because their feet need to be firmly planted on the ground for battle. A boy can only enjoy the soft, angelic qualities of his white socks in the privacy of his bed, if any. He can only dance in the darkness of his solitary room. Subsequently, this forbidden quality is seen in a mysterious dark “other”, a woman of the moon and the darkness who takes on an exotic, oversexed form. This creates a hyper state of desire which can be very disgusting at times. It is terrible for women also, who are burdened with the greedy desires of male onlookers: men who cannot own up to the soft angelic qualities inside themselves. Why do women have to take that kind of abuse from men?
It’s interesting how there is then an ensuing sound and a discussion between two soliders about religious quarrels:
FIRST SOLDIER
Why do they dispute about their religion?
SECOND SOLDIER
I cannot tell. They are always doing it. The Pharisees, for instance, say that there are angels, and the Sadducees declare that angels do not exist.
The question of whether angels exist or “don’t exist” is really the heart of the dilemma I am facing in this entry. If angels “exist out there” then I am not owning their qualities as a part of my being. I forever see the angels as the embodiment of an other who cannot be in my heart or mind. If the angels “don’t exist” on the other hand, as the Sadducees suggest, then I run the danger of denying that these special qualities even exist, and then my religion becomes one of suppression or repression. It’s a dilemma that happens with many spiritual practices. It raises the question, how is angelic (spiritual) energy handled when it is not a part of one’s daily life of strife or struggle? How is it incorporated? Failure to incorporate those angelic qualities can result in all sorts of perverse activities. It means denying the “doves for feet” or even eroticizing them in a way that gives them a dark power over oneself. This latter point gives rise to the dark female who represents the other who the male wants to deny in himself.
All quotes taken from Oscar Wilde, “Salome”. The Project Gutenberg Ebook. https://www.gutenberg.org/files/42704/42704-h/42704-h.htm